{"id":4708,"date":"2018-07-23T16:13:29","date_gmt":"2018-07-23T14:13:29","guid":{"rendered":"https:\/\/www.the-illegal-film.com\/quellen\/"},"modified":"2018-07-24T09:12:48","modified_gmt":"2018-07-24T07:12:48","slug":"quellen","status":"publish","type":"page","link":"https:\/\/www.the-illegal-film.com\/de\/quellen\/","title":{"rendered":"QUELLEN"},"content":{"rendered":"

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\n Zitate aus Videos und Filmen<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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\n <\/span>\n <\/h4>\n <\/div>\n\n
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\n\t\t\n\t\t\tAlan Horvath\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Videos and Films<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tRamon Luzarraga\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Videos and Films<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tAbu Mussab Wajdi\t\t<\/a>\n\t<\/h3>\n\t
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\n\t\t\n\t\t\tChris Marker\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Videos and Films<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tAustin Kleon\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Videos and Films<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tSteve Jobs\t\t<\/a>\n\t<\/h3>\n\t
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\n\t\t\n\t\t\tKatherine Maher\t\t<\/a>\n\t<\/h3>\n\t
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\n\t\t\n\t\t\tKevin Systrom\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Videos and Films<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tJeff Koons\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Videos and Films<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tFei-Fei Li\t\t<\/a>\n\t<\/h3>\n\t
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\n\t\t\n\t\t\tAnil Sabharwal\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Videos and Films<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tJohn Matarese\t\t<\/a>\n\t<\/h3>\n\t
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\n\t\t\n\t\t\tAndres Guadamuz\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Videos and Films<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tKen Denman\t\t<\/a>\n\t<\/h3>\n\t
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\n\t\t\n\t\t\tYong Zhao\t\t<\/a>\n\t<\/h3>\n\t
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\n\t\t\n\t\t\tParthipan Siva\t\t<\/a>\n\t<\/h3>\n\t
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\n\t\t\n\t\t\tJim Marggraff\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Videos and Films<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tRob Spence\t\t<\/a>\n\t<\/h3>\n\t
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\n\t\t\n\t\t\tJack Gallant\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Videos and Films<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tSam Miller\t\t<\/a>\n\t<\/h3>\n\t
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\n\t\t\n\t\t\tPaul Debevec\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Videos and Films<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n<\/div><\/div>[\/vc_column][\/vc_row][vc_row content_width=“grid“ css=“.vc_custom_1494340850114{padding-top: 90px !important;}“][vc_column offset=“vc_col-lg-offset-1 vc_col-lg-10″ css=“.vc_custom_1494405073100{padding-right: 6% !important;padding-left: 6% !important;}“]\n
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\n Zitate aus B\u00fcchern und Ver\u00f6ffentlichungen<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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\n <\/span>\n <\/h4>\n <\/div>\n\n
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<\/div>\n<\/div>\n <\/div>\n\n
\n <\/span>\n <\/div>\n\n<\/div>[\/vc_column][\/vc_row][vc_row][vc_column]
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\n \t\t <\/a>\n \t\t
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\n\t\t\t\t\"\"\t\t\t<\/div>\n\t\t<\/div>\n\t\t
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\n\t\t\n\t\t\tKing James Bible\t\t<\/a>\n\t<\/h3>\n\t
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\n\t\t\n\t\t\tNic\u00e9phore Ni\u00e8pce\t\t<\/a>\n\t<\/h3>\n\t
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\n\t\t\n\t\t\tHenry Fox Talbot\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Books and Publications<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tLouis Daguerre\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Books and Publications<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tJules Janin\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Books and Publications<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tVil\u00e9m Flusser\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Books and Publications<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tOtto von Bismarck\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Books and Publications<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tJohn Berger\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Books and Publications<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tRoland Barthes\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Books and Publications<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tJohn Berger\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Books and Publications<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tSherrie Levine\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Books and Publications<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tCharles Baudelaire\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Books and Publications<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tVil\u00e9m Flusser\t\t<\/a>\n\t<\/h3>\n\t
Quotes from Books and Publications<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n<\/div><\/div>[\/vc_column][\/vc_row][vc_row content_width=“grid“ css=“.vc_custom_1494340850114{padding-top: 90px !important;}“][vc_column offset=“vc_col-lg-offset-1 vc_col-lg-10″ css=“.vc_custom_1494405073100{padding-right: 6% !important;padding-left: 6% !important;}“]\n
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\n Interviews<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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\n <\/span>\n <\/h4>\n <\/div>\n\n
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<\/div>\n<\/div>\n <\/div>\n\n
\n <\/span>\n <\/div>\n\n<\/div>[\/vc_column][\/vc_row][vc_row][vc_column]
\n
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\n\t\t\t\t\"\"\t\t\t<\/div>\n\t\t<\/div>\n\t\t
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\n\t\t\n\t\t\tTimm Rautert – photographer\t\t<\/a>\n\t<\/h3>\n\t
Interviews<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tMatthias Bruhn – art historian\t\t<\/a>\n\t<\/h3>\n\t
Interviews<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tCem Kaya – filmmaker\t\t<\/a>\n\t<\/h3>\n\t
Interviews<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n \t\t <\/a>\n \t\t
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\n\t\t\n\t\t\tChristlieb Klages – lawyer\t\t<\/a>\n\t<\/h3>\n\t
Interviews<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tFred Ritchin – International Center of Photography\t\t<\/a>\n\t<\/h3>\n\t
Interviews<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tKurt Caviezel – photographer\t\t<\/a>\n\t<\/h3>\n\t
Interviews<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tEvgeny Morozov – writer\t\t<\/a>\n\t<\/h3>\n\t
Interviews<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tEmmanuel Mogenet – Head of Google Research Europe\t\t<\/a>\n\t<\/h3>\n\t
Interviews<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tYvonne Hofstetter – lawyer\t\t<\/a>\n\t<\/h3>\n\t
Interviews<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n\n
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\n\t\t\n\t\t\tNorbert Bolz – media scientist\t\t<\/a>\n\t<\/h3>\n\t
Interviews<\/span><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/article>\n\n<\/div><\/div>[\/vc_column][\/vc_row][vc_row content_width=“grid“ css=“.vc_custom_1494340850114{padding-top: 90px !important;}“][vc_column offset=“vc_col-lg-offset-1 vc_col-lg-10″ css=“.vc_custom_1494405073100{padding-right: 6% !important;padding-left: 6% !important;}“]\n
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\n Alle Quellen in der Reihenfolge ihrer Verwendung im Film<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
\n

\n <\/span>\n <\/h4>\n <\/div>\n\n
\n
\n\t
<\/div>\n<\/div>\n <\/div>\n\n
\n <\/p>\n

\u201eAlles Nichts Oder\u201c, RTL, 1991<\/p>\n

\u201cInglorious Basterds\u201d, Quentin Tarantino, A Band Apart \/ Studio Babelsberg, 2009<\/p>\n

\u201cCasino Royale\u201d, Martin Campbell, Eon Productions \/ Stillking Films \/ Babelsberg Film, 2006<\/p>\n

Studio Logos, Universal Pictures \/ 20th Century Fox Film Corporation \/ Metro-Goldwyn-Mayer Studios Inc.<\/p>\n

„Taking Pictures is Forbidden in Islam“, Abu Mussab Wajdi, IslamTheTruthOfLife, 2012<\/p>\n

„All about Graven Images“, Alan Horvath, 2015<\/p>\n

„Darf man Bilder auf dem Handy machen“, Ahmad Abul Baraa, Habibiflo Dawah Production, 2016<\/p>\n

\u201cGraven Image?\u201d, husky394xp, Bryan Denlinger, King James Video Ministries, 2013<\/p>\n

\u201eG\u00f6tzendienst im Christentum?\u201c, Norbert Link, aufpostenstehen, 2012<\/p>\n

„Icons versus the Heresy of Iconoclasm“, Ramon Luzarraga, Benedictine University – Mesa Theology Channel, 2013<\/p>\n

\u201cAn Orthodox Response to John Calvin on Icons\u201d<\/p>\n

\u201cSaddam Hussein Statue Pulled Down To The Ground\u201d, hijazna, 2010<\/p>\n

\u201cISIS fanatics destroy Mosul\u2019s museum\u201d, Tube News, 2015<\/p>\n

\u201c5 ancient sites ISIS has destroyed in 90 seconds\u201d, Mint, 2015<\/p>\n

\u201cThe Bamiyan Buddhas of Afghanistan\u201d, wratliff, 2011<\/p>\n

\u201cThe story behind the wallpaper we\u2019ll never forget\u201d, Microsoft Nederland YouTube kanaal, 2014<\/p>\n

„Macro Eye“, Sagar GURUNG, 2016<\/p>\n

\u201cChildren watching an outdoor scene through a camera obscura\u201d, 1877<\/p>\n

\u201cCamera obscura\u201d, 1859<\/p>\n

„So God made A Photographer I“, Toma Bonciu – Photo Tom, 2017<\/p>\n

\u201cNic\u00e9phore Ni\u00e9pce\u201d, an idealised posthumous portrait painted by the artist L\u00e9onard-Fran\u00e7ois Berger, 1854<\/p>\n

\u201cHenry Fox Talbot\u201d, John Moffat, 1864<\/p>\n

\u201cLouis Daguerre\u201d, by Jean-Baptiste Sabatier-Blot, 1844<\/p>\n

\u201cStaff at William Henry Fox Talbot’s commercial calotype\u00a0establishment in Reading, Berkshire\u201d, 1846<\/p>\n

\u201cMarine, \u00e9tude de nuages\u201d, Gustave Le Gray, 1856<\/p>\n

\u201cTree, Forest of Fontainebleau\u201d, Gustave Le Gray, circa 1856<\/p>\n

\u201cChaise dans un jardin\u201d, Hippolyte Bayard, 1842\/1850<\/p>\n

\u201cBoulevard du Temple\u201d, Louis Daguerre, 1838<\/p>\n

\u201cHigh Street\u201d, William Fox Henry Talbot, circa 1842<\/p>\n

\u201cPolaroid Sun Camera\u201d commercial, 1981<\/p>\n

\u201eKodak Disc Camera\u201c commercial, 1982<\/p>\n

\u201ePolaroid SX-70 Sonar OneStep\u201c commercial, 1978<\/p>\n

Kodak Automatic 35\u201c commercial, 1959<\/p>\n

\u201eKodak Motormatic 35\u201c commercial, 1960<\/p>\n

\u201eKodak Instamatic\u201c commercial, 1969<\/p>\n

\u201eAriane und die Movikon\u201c, Werner Jacobs, Zeiss Ikon AG, 1955<\/p>\n

\u201eBorn photographer\u201c, FujiFilm commercial, Mary Cooke, Thirty Second Street, 1994<\/p>\n

\u201eCanon Ixus\u201c, commercial, Nick Robertson, 2007<\/p>\n

\u201eSusan Sontag\u201c, 1979<\/p>\n

\u201eAutoportrait dit du Noy\u00e9“, Hippolyte Bayard, 1840<\/p>\n

\u201cThe Haunted Lane\u201d, Melander & Bro., 1889<\/p>\n

\u201eMother visiting Daughters Grave Victorian Spirit Photography\u201c, unbekannter Fotograf, circa 1890<\/p>\n

\u201eThe haunted lover’s proposal\u201c, stereocard, circa 1890<\/p>\n

\u201e\u00c4lteres Ehepaar mit der Manifestation eines jungen weiblichen Geistwesens\u201c, William Hope, circa 1920<\/p>\n

\u201eZTE Axon\u201c, commercial<\/p>\n

\u201cFatal Frame\u201d for PlayStation 2, Tecmo \/Wanadoo, 2002<\/p>\n

\u201cGhost Coming Out Of Dead Body, Caught on CCTV camera\u201d, scary videos, 2016<\/p>\n

„Die 15 gruseligsten und unheimlichsten Aufnahmen von J\u00e4ger Cam’s“, MythenAkte, 2015<\/p>\n

\u201cFear\u201d, Panasonic Lumix commercial, Masanobu Hisatomi, Hakuhodo, 2005<\/p>\n

\u201eAlla ricerca del volto di Gesu\u201d, Luca Trovellesi Cesana, Sydonia Entertainment, 2013<\/p>\n

„The TRUE FACE of JESUS CHRIST, APPEARANCE & PHOTOGRAPH from ’30’s.“, MlordandGod<\/p>\n

\u201cThe Face of Jesus in Space Photos and Everyday Pictures! Jesus is real! Miracle!\u201d, Jesu Spectre \/ Show Me A Sign, 2017<\/p>\n

\u201cThe eye of GOD appear in the sky of England sighting VIDEO\u201d, Vicky Tops, 2017<\/p>\n

\u201cClouds Reveal the Face of Jesus, Miracle!\u201d, Jesu Spectre \/ Show Me A Sign, 2017<\/p>\n

\u201cVil\u00e9m Flusser\u201d, Bernd Bodtlaender<\/p>\n

\u201cPicture Book\u201d, Hewlett Packard commercial, Francois Vogel, 2006<\/p>\n

\u201cAutoportrait\u201d, Stereo, Hippolyte Bayard, 1855<\/p>\n

\u201cAutoportrait\u201d, Hippolyte Bayard, circa 1850<\/p>\n

\u201cJunge Frau mit Kamera auf Stativ\u201d, 19th Century<\/p>\n

\u201cMammoth camera\u201d, George R. Lawrence, 1900
\n\u201cTalbot’s Processes – Photographic Processes Series – Chapter 3 of 12\u201c, George Eastman Museum, 2014<\/p>\n

\u201cFassade\u201c, Artitec Shop<\/p>\n

\u201cArchitektin\u201c, mindof<\/p>\n

\u201cBauarbeiter\u201d, Michael Gaida<\/p>\n

\u201cHausbesitzer\u201d, kurhan<\/p>\n

\u201cHausbesetzer\u201d, Michael Kipp, 1981<\/p>\n

\u201cB\u00fcrgerinnen\u201d, Ralph Fierz<\/p>\n

\u201cASMR Graven Image\u201d, Michael White, 2015
\n\u201cEyes Footage“, iDivine, 2016<\/p>\n

\u201cThe unexpected benefits of fear – why you should get over your fear of cameras\u201d, Business Film Booth, 2016<\/p>\n

\u201cFEAR of being filmed and being embarrassed\u201d, Bla\u017e Cegnar, 2012<\/p>\n

\u201cCan cameras steal your soul?“, Lindowitz88, 2010<\/p>\n

\u201ccameras steal your soul“, Ecce Porfirium, 2012<\/p>\n

\u201cDon\u2019t let the camera steal your soul!\u201d, Graham Collins, 2016<\/p>\n

\u201cSoul Stealing\u201d, Robot Chicken \/ Adult Swim, 2011<\/p>\n

\u201cThe Toulambi – First Contact in New-Guinea\u201d, Jean-Pierre Dutilleux, 1993<\/p>\n

\u201cSi j’avais 4 dromadaires…\u201c, Chris Marker, 1966<\/p>\n

Thompsons-Revolver-Camera, 1862<\/p>\n

Sands and Hunter Gun Camera, 1885<\/p>\n

Bolex 8mm\u00a0camera gun<\/p>\n

Doryu 2-16 Flash Camera, 1955<\/p>\n

\u201cImage Fulgurator\u201d, Julius von Bismarck<\/p>\n

Leica Rifle Camera, 1937-39<\/p>\n

Nikon-D200, Tactical Camera Assault Long Range Stock<\/p>\n

Type 89 \u201cRokuoh-Sha\u201d Camera, Japan, 35mm<\/p>\n

„Photos Steal the Soul“, Ryan Denora, 2014<\/p>\n

„don’t take my picture“, Constitutional Corner, 2017<\/p>\n

„Navy police officer: Dont video tape me!“ Cites „My Privacy Act!““, DVincentW, 2015<\/p>\n

„wallkill woman attacks news photographer“, mralpine71, 2007<\/p>\n

„Raw Video – News Crew Attacked SACRAMENTO, CA“, WorldLiveNews, 2011<\/p>\n

„cameraman attacked with bear spray“, Kam Productions, 2015<\/p>\n

\u201eMr. Angry\u201c, Contax Camera commercial, 1994<\/p>\n

\u201eOtto von Bismarck\u201c, circa 1860 und 1898<\/p>\n

\u201eJohn Berger\u201c, Jean Mohr, 1999<\/p>\n

\u201eFotoatelier Braut 19. Jahrhundert\u201c, 1895<\/p>\n

\u201eMugshot of American Criminal\u201d, 1914<\/p>\n

\u201eKrimkrieg\u201c, Roger Fenton, 1855<\/p>\n

\u201eConfederate soldiers captured at Shenandoah Valley\u201d, 1862<\/p>\n

\u201cJunge Frau mit Sonnenschirm\u201d, 1885<\/p>\n

\u201cCrazy Horse\u201d, 1877<\/p>\n

\u201cTwo rebels executed after the Sepoy Rebellion\u201d, Felice Beato, 1858<\/p>\n

\u201cCzeslawa Kwoka, Gefangene 26947, Konzentrationslager Auschwitz\u201d, Wilhelm Brasse<\/p>\n

\u201cGefangene im Tuol Seng Gef\u00e4ngnis, Kambodscha\u201d, Nhem En<\/p>\n

\u201cIn syrischen Gef\u00e4ngnissen\u201d, Caesar, 2015<\/p>\n

„Security Guard Demands Man Delete His Footage And Opens The Door To His Vehicle“, freedividual, 2016<\/p>\n

„2013-06-17 – Pressefreiheit auf t\u00fcrkisch: Journalist soll Polizisten nicht filmen“, KraftZeitung, 2013<\/p>\n

„Worst Paparazzi Encounter: Lindsay Lohan“, Tehuixteko M, 2008<\/p>\n

\u201cScopophobia \u2013 lyrical video\u201d, War from a Harlots Mouth, 2012<\/p>\n

„My Mother Diana (Royal Family Documentary)“, Real Stories, 2017<\/p>\n

\u201cThe Evil Eye On Social Media\u201d, Mufti Ismael Menk, The Merciful Servant, 2014<\/p>\n

\u201cTrust It To Polaroid\u201d, Polaroid commercial, 1992<\/p>\n

\u201cTurn Around\u201d, Eastman Kodak commercial, 1961<\/p>\n

\u201cWill You Remember\u201d, Kodak Gold Ultra commercial, 1999<\/p>\n

\u201cRoland Barthes\u201d, 1970<\/p>\n

\u201cJohn Berger\u201d, Eamonn McCabe, 1999<\/p>\n

\u201cSusan Sontag\u201d, Jean-Regis Roustan, 1972<\/p>\n

\u201cLooking Through OLD Photo Album!\u201c, The S.H.A. Club, 2017<\/p>\n

„Indian Wedding Album sample | Best Indian wedding album | Flush mount Album“, Dreamshot, 2017<\/p>\n

„Wedding Albums designs by Photographics Solution“, Molinski Photography, 2014<\/p>\n

„Ejemplo de Fotobook“, Grupo Celmark, 2011<\/p>\n

„Queensberry Duo Wedding Album“, Manu Mendoza, Wedding Photography, 2016<\/p>\n

„Sample Wedding Album“, Chris Amos Photography, 2012<\/p>\n

„Wedding Book – Foto knjiga (vjen\u010danje)“, Slavenko Vukasovic, 2013<\/p>\n

„The Real Kodak Moment Happens When You Share“, Kodak, 2010<\/p>\n

„Pictures on the Wall“, Tapiola Insurance\/BBDO, 2001<\/p>\n

„Never Again: Don\u2019t Be That Parent „, Canon, 2014<\/p>\n

„My HP picturebook“, Hewlett Packard, 2008<\/p>\n

„Eyes In The Dark [Animation test in Adobe After Effects]“,
\nKristoffer Skj\u00f8restad, 2012<\/p>\n

„Intellectual Property“, Durham University, 2016<\/p>\n

„Copyright Basics“, Coypright Clearance Center, 2010<\/p>\n

„Save Copyright Reform!“, Copy-Me, 2015<\/p>\n

„Copyright & Creativity for Ethical Digital Citizens“, iKeepSafe, 2016<\/p>\n

„What Is Copyright?“, Ryan Molton, 2013<\/p>\n

„Early Copyright History“, Copy-Me, 2014<\/p>\n

„Copy (aka copyright) Tells the Story of His Life“, FixCopyright, 2016<\/p>\n

„Film Piracy – CIFF“, Amr Mohammed Abdelhamed, 2007<\/p>\n

\u201eAnti-Piracy\u201c, Federation Against Copyright Theft, 2002<\/p>\n

\u201eRespect Copyrights!\u201c, Constantin Film Verleih GmbH, 2011<\/p>\n

„the new anti piracy ad campaign for cinemas“, Quantum Films, 2014<\/p>\n

\u201cRaubkopierer sind Verbrecher!\u201d, Zukunft Kino Marketing GmbH, 2003<\/p>\n

\u201cDas Dschungelbuch\u201d, Wolfgang Reitherman, Walt Disney, 1967<\/p>\n

\u201cDisney Blu-ray_ Movies Magic More \u2013 Trailer\u201d, Walt Disney Studios Home Entertainment, 2008<\/p>\n

\u201cSchloss Neuschwanstein\u201d, RudyBalasco<\/p>\n

\u201cSchloss Disney\u201d, pxhere<\/p>\n

\u201cSchloss Neuschwanstein\u201d, SeanPavonePhoto<\/p>\n

\u201cDisney Blu-ray: Movies. Magic. More – Trailer\u201d, Walt Disney Studios, 2008<\/p>\n

\u201cDisney Enchanted Anti Piracy Trailer\u201d, Walt Disney Studios, 2010<\/p>\n

„Why Photos of the Eiffel Tower at Night are Illegal“, Half As Interesting, 2017<\/p>\n

„Copyright: Forever Less One Day“, CGP Grey, 2011<\/p>\n

„Don’t Copy That Floppy“, Software Publishers Association, 2009<\/p>\n

„Remake, Remix, Rip-Off: Kopierkultur und das t\u00fcrkische Pop-Kino“,
\nCem Kaya, UFA Fiction, 2015<\/p>\n

„Steal Like An Artist: Austin Kleon at TEDxKC“, 2012<\/p>\n

„The Art of Copying“, Anton Guttenberg<\/p>\n

„iTunes: Rip. Mix. Burn\u201d, Apple commercial, 2006<\/p>\n

\u201cEverything Is A Remix\u201d, Kirby Ferguson, 2015<\/p>\n

\u201cYouTube Copyright Basics\u201c, YouTube-Hilfe, 2013<\/p>\n

„Augmented Reality Cinema“, When Just Happened100, 2011<\/p>\n

„Photo Theft, Instagram, & Monkeys! Oh My!“, Rick Boost, Burst Mode, 2017<\/p>\n

„Peta sues to give copyright for ‚monkey selfies‘ to macaque who snapped them“, The Guardian, 2015<\/p>\n

„Wikimedia says taking a selfie is monkey business“, EuroNews, 2014<\/p>\n

„PETA suit claims monkey holds copyright to famous selfie“, CNN, 2015<\/p>\n

„Look of Love“, Canon commercial, 2001<\/p>\n

„They’ve got the wrong monkey“, Mirror \/ ITV, 2017<\/p>\n

„You could get sued for using these colors“, Business Insider, 2017<\/p>\n

\u201cOBM – Color – Pullman Brown (UPS Brown) #644117\u201d, Our Best Moments, 2016<\/p>\n

„Citroen DS“, circa 1955<\/p>\n

„Le Corbusier und Cassina“, 1986<\/p>\n

„Burberry“<\/p>\n

„Eames Chair“<\/p>\n

„Bauhaus Dessau“, Michael Konstabel<\/p>\n

„Bauhaus“, Michael Konstabel<\/p>\n

„McDonalds\u201d, Logo<\/p>\n

„Daimler-Benz \u201c, Logo<\/p>\n

„Apple „, Logo<\/p>\n

„Shell“, Logo<\/p>\n

„Milka“, Logo<\/p>\n

„Deutsche Post\u201d, Logo<\/p>\n

„Barbie“, Logo<\/p>\n

„Graffiti“, Wim Kantona<\/p>\n

„Selfie Song“, Jamich & Davey Langit, 2013<\/p>\n

„Photos Every Day“, Apple iPhone 5 commercial, 2012<\/p>\n

„IKEA \u578b\u9304\u64f4\u589e\u5be6\u5883\u529f\u80fd \u5f71\u7247“, Ikea Taiwan, 2013<\/p>\n

„Will the EU kill photography in public places \u2013 Freedom of Panorama“, Matt Widgery, 2015<\/p>\n

„Copy explains ‚Freedom of Panorama'“, FixCopyright, 2016<\/p>\n

„The Most Instagrammed Locations of 2016 Require No Filter“, buzz60, 2016<\/p>\n

„Periscope: Now on Twitter“, Twitter, 2016<\/p>\n

„Building Projection Advertising demo“, LCI Productions Ltd, 2009<\/p>\n

„Hello NASA“, Ferienregion Berg\u00fcn Filisur, 2017<\/p>\n

\u201cIntroducing Instagram Stories\u201d, Instagram, 2016<\/p>\n

„Emotional“, Kodak commercial, Joe Pytka, 2005<\/p>\n

\u201cGoPro App: Control. View. Share.\u201d, GoPro, 2013<\/p>\n

„Sherrie Levine“, Jason Schmidt, 2016<\/p>\n

„This Is What The Future of Instagram looks like“, TIME Inc., 2015
\n„Go Live With A Friend on Instagram“, Instagram, 2017<\/p>\n

„Jeff Koons x Snapchat“, Snapchat, 2017<\/p>\n

\u201cFila para tirar um Selfie com a Mona Lisa no Musee du Louvre\u201d, Celso Carvalho do Amaral, 2015<\/p>\n

\u201cAdmiring Mona Lisa by Leonardo da Vinci, Louvre Museum Paris, France, May 22nd, 2009\u201c, Blarneylady, 2009<\/p>\n

\u201cLouis Vuitton presents an Interview with Jeff Koons for Masters\u201c, Louis Vuitton, 2017<\/p>\n

\u201cLouis Vuitton \u2013 Masters, a collaboration with Jeff Koons\u201d, Louis Vuitton, 2017<\/p>\n

\u201cLouis Vuitton presents VAN GOGH from Masters, a Collaboration with Jeff Koons\u201d, Louis Vuitton, 2017<\/p>\n

\u201cLouis Vuitton presents RUBENS from Masters, a Collaboration with Jeff Koons\u201d, Louis Vuitton, 2017<\/p>\n

\u201cSamantha and Scarlett Santana have some fun in the ride area of a carnival\u201d, Carol M. Highsmith, 2014<\/p>\n

„Cowboy“, Sam Abell, Philip Morris commercial, 1970s<\/p>\n

„Untitled (Cowboy)“, Richard Prince, 1989<\/p>\n

\u201cTank Man\u201d, Jeff Widener, 1989<\/p>\n

„The Eye“, Michael Garlington, 2013<\/p>\n

\u201cSelfie Song (Official Music Video)\u201d, Davey Langit, 2013<\/p>\n

„Introducing the Insta360 Nano“, Insta360, 2016<\/p>\n

„GoPro: Introducing HERO5 Black“, GoPro, 2016<\/p>\n

\u201cCHACAL – Pa‘ La Camara (Video Oficial by FREDDY LOONS) Reggaeton Cubano Cubaton\u201c, Planet Records Miami Cuba, 2016<\/p>\n

„iPhone 6s“, Apple, 2015<\/p>\n

„Kidizoom – Selfie Cam – Pour des selfies super girly“, VTechJouets, 2016
\n\u201cSelfie\u201d (Clip Officiel), Koffi Olomide , 2015<\/p>\n

„I am Part of the World“, Nikon commercial, 2011<\/p>\n

\u201cLife\u201d, Cover, 1971<\/p>\n

\u201cPeople\u201d, Cover, 2011<\/p>\n

\u201cUs\u201d, Cover, 1997<\/p>\n

\u201cSelf\u201d, Cover, 2016<\/p>\n

\u201cEllen DeGeneres takes a selfie at the Oscars\u201d, Oscars, 2014<\/p>\n

\u201c\u6572\u5361\u54c7\u4f0a \u77f3\u539f\u91cc\u7f8e\u62cd\u6444\u4f73\u80fd\u5e7f\u544a \u5e55\u540e\u4e0e\u82b1\u7d6e\u201d, 2017<\/p>\n

\u201cCharles Baudelaire\u201d, Etienne Carjat, 1862<\/p>\n

\u201c’Selfie Le Le Re‘ FULL VIDEO Song – Salman Khan | Bajrangi Bhaijaan\u201d, T-Series, 2015<\/p>\n

\u201c’Selfies at Serious Places‘ Tumblr: Photos at Funerals, House Fires\u201d, Patrick Jones, b\/60, 2013<\/p>\n

\u201c’Stop taking selfies‘: Amatrice mayor asks tourists to show more respect to those killed by quake\u201d, RT, 2017<\/p>\n

\u201cHomem faz selfie ap\u00f3s acidente durante revezamento da Tocha Ol\u00edmpica em Osasco\u201d, muitoalemdojg, 2014<\/p>\n

\u201cSELFIE STICKS DESTROYED IN NEW YORK!!!\u201d,
\nBuddy Bolton & Brett Kline, 2016<\/p>\n

\u201cEye Robot\u201d, shutterthyme, 2013<\/p>\n

\u201cFei-Fei Li on AI and Machine Learning\u201d, Anita Borg Institue, 2018<\/p>\n

\u201cLearning to See\u201d, The New York Times Conferences, 2018<\/p>\n

\u201cStanford Engineering’s Fei-Fei Li explores visual intelligence in computers\u201d, Stanford University School of Engineering, 2014<\/p>\n

\u201cLi Fei fei\uff1aMachine Learning and Artificial Intelligence Google Cloud Conference in 2017\u201c, Song Lin, 2017<\/p>\n

\u201cFei Fei Li\u201d, CITRIS and the Banatao Institute, 2017<\/p>\n

\u201cResearch Symposium 2017 – Morning Keynote Address – Dr. Fei-Fei Li\u201d, The Harker School, 2017<\/p>\n

\u201cWiDS Tech Talk, Fei-Fei Li\u201d, ICMEStudio Stanford, 2015<\/p>\n

\u201cpicsbuffet\u201d, Pixabay, 2018<\/p>\n

\u201cTED \u2013 Ideas worth spreading\u201d, TEDTalks, 2015<\/p>\n

\u201cHow we teach computers to understand pictures\u201c, Fei Fei Li, TEDTalks, 2015<\/p>\n

\u201cGoogle Photos: Photos. For Life.\u201c, Google Photos, 2016<\/p>\n

\u201cHow Google solved our photo backup nightmare\u201c, The Verge, 2015<\/p>\n

\u201cRAAIS 2017 – Emmanuel Mogenet, Head of Google Research Europe\u201d,
\nThe Research and Applied AI Summit, 2017<\/p>\n

\u201cIntroducing Echo Look. Love your look. Every day.\u201c, amazonfashion, 2017<\/p>\n

\u201cIntroducing the new Google Photos\u201d, Google, 2015<\/p>\n

\u201cThese are the moments\u201d, Kodak commercial, 1995<\/p>\n

\u201cHow to share photos easily with Moments by Facebook\u201d, Softonic, 2016<\/p>\n

\u201cWho owns your Facebook photos?\u201d, WCPO, 2014<\/p>\n

\u201cGoogle Photos: Introducing New, Smarter Albums\u201d, Google Photos, 2016<\/p>\n

„Andres Guadamuz: Do androids dream of electric copyright?“, re:publica, 2016<\/p>\n

\u201cBeauty Contest Judged by Robots\u201d, Beauty.AI, 2015<\/p>\n

\u201ciPhone X \u2014 Introducing iPhone X\u201d, Apple commercial, 2017<\/p>\n

\u201cMeet iPhone X\u201d, Apple commercial, 2017<\/p>\n

\u201cReal-Time High-Fidelity Facial Performance Capture\u201d, Chen Cao, Derek Bradley, Kun Zhou, Thabo Beeler, DisneyResearchHub, 2015<\/p>\n

\u201cRealeyes Overview\u201d, Realeyes, 2014<\/p>\n

\u201cFacial Coding Example\u201d, Realeyes, 2014<\/p>\n

\u201cAffectiva Overview\u201d, Affectiva, 2014<\/p>\n

\u201cHappyDisgust\u201d expression\u201d, Affectiva, 2014<\/p>\n

\u201cAffective Computing: The Power of Emotion Analytics\u201d, Ken Denman, vlabvideos, 2015<\/p>\n

\u201cBosch Security – Queuing notification with Essential Video Analytics\u201d, Bosch Security and Safety Systems, 2017<\/p>\n

\u201cAimetis Face Recognition – Accurate and Easy to Use\u201d, Aimetis, 2017<\/p>\n

\u201cTerraLoupe Company Video\u201d, TerraLoupe, 2016<\/p>\n

\u201cSciFi Human Eye\u201d, D.Schr\u00f6der, 2014<\/p>\n

\u201cAbout Cloudview\u201c, Cloudview, 2015<\/p>\n

\u201cWhat is My DigitalGlobe?\u201c, DigitalGlobe, 2014<\/p>\n

\u201cMX\u2122-10 Product Video\u201c, Wescam, 2016<\/p>\n

\u201cYongZhao_Founder&CEO of DeepGlint\u201c, DeepGlint Official, 2017<\/p>\n

\u201cmegvii\u3000\u9854\u8a8d\u8a3c\u3000\u6a5f\u68b0\u306e\u76ee\u201c, TrendsGloTech, 2017<\/p>\n

\u201cWeimu Image Big Data Analysis System\u201c, DeepGlint Official, 2017<\/p>\n

\u201cIntelligent Video Analytics Face Detection LightHaus Log\u201c, Lighthaus, 2013<\/p>\n

\u201cWOLFCOM Company Introduction Body Camera Video\u201c, Wolfcom, 2014<\/p>\n

\u201cLook Beyond What You Can See\u201c, Griffeye Analyze Platform, 2016<\/p>\n

\u201cMobileye PCW \u2013 Fu\u00dfg\u00e4nger-Erkennungssystem\u201c, Mobileye an Intel Company, 2012<\/p>\n

\u201cMobileye’s Autonomous Car What the System Sees\u201c, Mobileye an Intel Company, 2015<\/p>\n

\u201cMorphoFace Investigate\u201c, Idemia, 2013<\/p>\n

\u201cVideo on Face Recognition Solutions – NeoFace [NEC official]\u201c, NEC Corporation, 2016<\/p>\n

\u201cWatson bei der Arbeit: IT-Sicherheit\u201c, IBM, 2017<\/p>\n

\u201cAimetis Symphony \u2013 Open, Easy to Use Video Management Software\u201d, Aimetis, 2017<\/p>\n

\u201cSusan Sontag\u201d, imago<\/p>\n

\u201dDeepGlint FOVEACAM\u201d, DeepGlint Official, 2017<\/p>\n

\u201cWatch Dogs\u201d, Ubisoft Montreal, 2014<\/p>\n

\u201cWatch Dogs Exposed Trailer \u2013 E3 2013\u201d, Ubisoft, 2013<\/p>\n

\u201cWATCHDOGS We Are DATA Digital\u201d, Ubisoft, 2015<\/p>\n

\u201cGrand Theft Auto V\u201d, Rockstar Games, 2014<\/p>\n

\u201cThe 2030 Vision For A World Empowered by Satellites\u201d,
\nSatellite Applications Catapult, 2014<\/p>\n

\u201cCrowd Counting at Grand Central Station, NY\u201d, David Ryan, 2012<\/p>\n

\u201cVideo Analytics Crowd Density Heat Mapping\u201d, Securicorp CCTVUK, 2014<\/p>\n

\u201cBriefCam Video Synopsis\u201d, BriefCam, 2016<\/p>\n

\u201cPeugeot 207\u201d, commercial, 2007<\/p>\n

\u201cHow to become invisible to Infrared Cameras\u201c, Phil Mason, Thunderf00t, 2016<\/p>\n

\u201eHow-to Fool Facial Recognition Tracking Systems\u201c, Kevin Chambers, 2012<\/p>\n

„MakeUp Tutorial HOW TO HIDE FROM CAMERAS“, Jillian Mayer, 2013<\/p>\n

„Introducing the Phantom 4“, DJI, 2016<\/p>\n

\u201cMilitary Robots – US Marines Test Awesome New Futuristic Military Combat Robots In Action\u201c, WarLeaks, 2016<\/p>\n

\u201eDJI – #MyMavic – Tech Geek (feat. Kai Man Wong)\u201c, DJI, 2017<\/p>\n

\u201eVideo matrimonio Arezzo con drone, Castello di Gargonza\u201c,
\nVertigo Wedding Films, 2016<\/p>\n

\u201eAerial Wedding Drone Video \u2013 Shilstone House\u201d, Birds Eye View Productions, 2015<\/p>\n

\u201eBodas en Irapuato, Drone, Paqeuete Todo Incluido\u201c, D3 Fotocinema, 2015<\/p>\n

\u201eDrone 100 Lights Up the Palm Springs Sky\u201c, Intel, 2016<\/p>\n

\u201eIntel’s 500 Drone Light Show\u201c, Intel, 2016<\/p>\n

\u201eAc Classic Blowing Up Insurgents in Iraq-2\u201c, military.com<\/p>\n

\u201eIntroducing Nokia OZO: The new Virtual Reality Camera from Nokia\u201c,
\nNokia, 2015<\/p>\n

\u201eEcho Show\u201c, Amazon Echo, 2017<\/p>\n

„Introducing Nanit – The Baby Monitor That Thinks“, Nanit, 2016<\/p>\n

\u201cSamsung Official TVC: The New Normal\u201d, TheTechieBeast, 2017<\/p>\n

\u201cNanit brings the baby monitor to the 21st century\u201d, TechCrunch, 2016<\/p>\n

„Invidyo World’s Smartest Child Monitor with Smile Detection“,
\nInvidyo Mobilus, 2016<\/p>\n

\u201cGoogle Clips \u2013 A new way to capture and save moments\u201d, Made by Google, 2016<\/p>\n

\u201cBlincam\u201d, Blincam Inc, 2016<\/p>\n

\u201eThe Perfect Memory Camera Allows „Time Travel“\u201c, Perfect Memory, 2016<\/p>\n

\u201eTimecap, Camera Enregistreur De Vie\u201d, Timecap<\/p>\n

\u201cThe new year is here, the same to the next generation smart device. See you all!\u201d, Byton. Time to be, 2018<\/p>\n

\u201eEN | Bosch Multi-camera system \u2013 All-around vision when parking and maneuvering\u201c, Bosch Mobility Solutions, 2016<\/p>\n

\u201cSurround View Monitor powered by VADAS Co., Ltd.\u201d, Vadas, 2013<\/p>\n

\u201ethis is autopilot\u201c, Volvo Cars, 2017<\/p>\n

„Smart Toothbrush with a Camera: Hands-on with the Prophix“, Engadget, 2016<\/p>\n

„Prophix: The World’s First Smart Video Toothbrush“, Craig S. Kohler, 2017<\/p>\n

\u201eIs Your TV Spying on You?\u201c, ABC News, 2015<\/p>\n

\u201eIs your smart TV spying on you?\u201c, BBC News, 2017<\/p>\n

\u201eIs Your Samsung Smart TV Spying on You?\u201c, Wall Street Journal, 2015<\/p>\n

\u201eSeen At 11: Is Your TV Spying On You?\u201c, CBS New York, 2015<\/p>\n

\u201eYour Vizio Smart Tv Is Spying On You\u201c, The Next News Network, 2015<\/p>\n

\u201eIs Your TV Spying On You?\u201c, msnbc, 2015<\/p>\n

\u201eCIA To Spy On You Through TV, Appliances\u201c, The Young Turks, 2012<\/p>\n

\u201elivingroomfamily\u201d, WATCHME247, 2017<\/p>\n

\u201cKnow Useless: GoPro in the Refrigerator\u201d, Je Ar Channel, 2014<\/p>\n

\u201cSelfie webcam\u201d, WATCHME247, 2017<\/p>\n

\u201cWebcam_girls vacation\u201d, Reallifecam, 2017<\/p>\n

\u201cAlin look on cam\u201d, WATCHME247, 2017<\/p>\n

\u201cGoPro Hero3 Inside Washing Machine\u201d, Tim Long, 2013<\/p>\n

\u201cYawning (the USERS)\u201d, Kurt Caviezel<\/p>\n

\u201cPrivate\u201d, camarads.com, 2017<\/p>\n

\u201cbedroom\u201d, WATCHME247, 2017<\/p>\n

\u201cANIMALS (Vol 1)\u201d, Kurt Caviezel<\/p>\n

\u201cHelpful dog loads washing machine for owner\u201d, Rumble Viral, 2015<\/p>\n

\u201cWebcam_linda kitchen\u201d, Reallifecam, 2017<\/p>\n

\u201cBilibi\u201d, SoulPancake<\/p>\n

„Tobii in 3 minutes“, Tobii Gaming, 2016<\/p>\n

„Cool, my very own Terminator Vision“, Tobias Gattermayer, 2014<\/p>\n

„OZO, Enhanced performance“, Nokia, 2015<\/p>\n

„Nokia Technologies Team Talks OZO Design“, Nokia, 2015<\/p>\n

„Birth of OZO“, Nokia, 2016<\/p>\n

\u201eAnimatronic Eye Mechanism-Human Eye\u201c, Dan Thompson, animatronic, 2010<\/p>\n

\u201eEyefluence Intro\u201c, Eyefluence Inc., 2016<\/p>\n

\u201eEyefluence\u201c, Eyefluence Inc., 2015<\/p>\n

„The Eye Tribe Tracker – The world’s first affordable eye tracker“, The Eye Tribe, 2013<\/p>\n

\u201eFuture tech: Sony files U.S. patent for smart contact lens that records and plays video\u201c, Sony, TomoNews, 2016<\/p>\n

\u201eMake Your Dream Reality\u201c, Northrop Grumman, 2017<\/p>\n

\u201eDeus Ex: The Eyeborg Documentary\u201c, Deus Ex, Rob Spence, 2011<\/p>\n

\u201eEye Piece\u201c, Chris Jones, 2014<\/p>\n

„Project Elysium Build Video“, Steve Koutsouliotas, Nick Stavrou,
\nParanormal Games, 2015<\/p>\n

\u201eVision Reconstruction (The Science of Mind Reading)\u201c,
\nUCTV Prime Cuts, 2012<\/p>\n

„Movie Reconstruction from human brain activity“, Jack Gallant, 2011<\/p>\n

\u201cDream decoding from human brain\u201d, KamitaniLab, 2013<\/p>\n

\u201eFuture Experience Program N – teaser movie\u201c, Sony, 2016<\/p>\n

„Kino mo at CES 2017“, Kino-mo, 2017<\/p>\n

\u201eOur Mission: Create Technologies That Move Us\u201c, Panasonic, 2017<\/p>\n

\u201eMicrosoft HoloLens Review, mind blowing Augmented Reality!\u201d,
\nJames Mackie, 2016<\/p>\n

\u201cAmazing Awesome Incredible 7D Whale Hologram in School\u201d,
\nMiss Lisa, 2015<\/p>\n

\u201cThe Untold Story of Magic Leap, the World’s Most Secretive Startup\u201d,
\nSam Miller, Wired, 2016<\/p>\n

„Virtual Zoo“, Magic To Go, 2015<\/p>\n

\u201cTrue Holograms from Realview’s AR Lab\u201d, RealView Imaging, 2016<\/p>\n

\u201cNokia OZO it\u2019s a kind of magic\u201d, Nokia, 2016<\/p>\n

\u201cSamsung Official TVC: Ostrich\u201d, SamsungMalaysia, 2017<\/p>\n

\u201cIntroducing Windows Mixed Reality\u201d, Windows, 2017<\/p>\n

\u201cDiscover Pok\u00e9mon in the Real World with Pok\u00e9mon GO!\u201d,
\nThe Official Pok\u00e9mon YouTube Channel, 2015<\/p>\n

\u201cHoloportation: virtual 3D teleportation in real-time\u201d,
\nMicrosoft Research, I3D Past Projects, 2016<\/p>\n

\u201cDiscover Intel RealSense potential with Lenovo PCs\u201d, Lenovo, 2015<\/p>\n

\u201cCAM4\u2019s very own performer coach, Nikki Night, tries out CAM4VR for the very first time!\u201d, CAM4, 2017<\/p>\n

\u201cReForm | Hollywood’s Digital Clones\u201d, Creators, 2015<\/p>\n

\u201cCGI Animation Tech Demo HD Snappers Facial Rig \u2013 by Snappers Mocaps\u201d, The CGBros, 2014<\/p>\n

„Super Girl – .Faceshift \u2013 facial motion capture 3D – mascotte“,
\nHerv\u00e9 Gaerthner, 2015<\/p>\n

„Face2Face Real-Time Face Capture and Reenactment of RGB Vide“,
\nTUM Visual Computing Group, 2016<\/p>\n

„What Makes Tom Hanks Look Like Tom Hanks“, University of Washington, https:\/\/grail.cs.washington.edu\/projects\/3DPersona\/Suparson Suwajanakorn, 2015<\/p>\n

\u201eSoul Machines – Humanizing the interface between man and machines\u201c, KiwiNetTV, 2017<\/p>\n

\u201eBabyX v3.0 Interactive Simulation Official\u201c, Laboratory for Animate Technologies, 2014<\/p>\n

\u201cIncroyable ! Hologramme 7D – Imagine Blue Beam, alors, tu ne regarderas pas de peur d’\u00eatre s\u00e9duit\u201c, JESUIS CHRIST, 2016<\/p>\n

\u201eSophia Awakens Episode 1\u201c, Hanson Robotics, 2016<\/p>\n

\u201eVil\u00e9m Flusser\u201d, 1986<\/p>\n

\u201eGatebox Virtual Girl Friend AZUMA HIKARI\u201c, Robotics AI, 2017<\/p>\n

\u201eSarif Industries Commercial\u201c, SarifIndustriesEN, 2011<\/p>\n

\u201ePerfect World Pictures\u201c, Perfect World Pictures SG, 2016<\/p>\n

\u201eHyper-Reality\u201c, Keiichi Matsuda, 2016<\/span>\n <\/div>\n\n<\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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