{"id":4725,"date":"2018-07-23T17:32:07","date_gmt":"2018-07-23T15:32:07","guid":{"rendered":"https:\/\/www.the-illegal-film.com\/?page_id=4725"},"modified":"2018-07-24T09:18:56","modified_gmt":"2018-07-24T07:18:56","slug":"team","status":"publish","type":"page","link":"https:\/\/www.the-illegal-film.com\/de\/team\/","title":{"rendered":"TEAM"},"content":{"rendered":"

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\n\t\t\t\t\t\t\t\tMartin Baer\t\t\t\t\t\t\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRegie<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>[vc_empty_space height=“50px“][\/vc_column][vc_column width=“1\/4″]\n
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\n\t\t\t\t\t\t\t\tClaus Wischmann\t\t\t\t\t\t\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRegie<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>[vc_empty_space height=“50px“][\/vc_column][vc_column width=“1\/4″]\n
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\n\t\t\t\t\t\t\t\tRalf Streese\t\t\t\t\t\t\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tSchnitt<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>[vc_empty_space height=“50px“][\/vc_column][vc_column width=“1\/4″]\n
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\n\t\t\t\t\t\t\t\tChrysanthi Goula\t\t\t\t\t\t\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRegieassistenz<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div>[vc_empty_space height=“50px“][\/vc_column][\/vc_row][vc_row][vc_column width=“1\/4″]\n
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Martin Baer
\nSebastian Hattop
\nMarcus Winterbauer
\nBoris Fromageot
\nThomas Kutschker
\nMartin Koddenberg<\/p>\n

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Robert Grey<\/p>\n

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Pascal Capitolin
\nThomas Funk
\nThomas Hamann
\nThomas Warneke<\/p>\n

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\n Produktionsleitung<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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Eva- Maria Weerts<\/p>\n

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\n Produktionsassistenz<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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Christine K\u00fc\u00dfner
\nAlina Bohn
\nIris Gehlert
\nLeonie Kennedy<\/p>\n

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Chrysanthi Goula
\nMichael Konstabel
\nRobert Richardson
\nMarie-Catherine Theiler
\nAlexandros Bozinidis
\nJulia Jasjunas
\nTatjana Kennedy<\/p>\n

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Christlieb Klages, KVLEGAL, Berlin<\/p>\n

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\n Dramaturgische Beratung<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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Holger Preusse<\/p>\n

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Benjamin M\u00fccket<\/p>\n

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\n Grafik<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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Tobias Pleban<\/p>\n

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\n Sound Design<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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Cornelius Rapp<\/p>\n

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Priscilla Bergey
\nSonja Deutsch
\nPeter Merrick
\nViktor Neumann<\/p>\n

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\n Grading<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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Jan Sch\u00f6ningh<\/p>\n

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\n Post Production<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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Schnittlauch Postproduktion
\nMarike van der Meer
\nMax Kiesel<\/p>\n

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\n \u00dcbersetzungen<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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Zecki Gerloff
\nEnnio Oeder
\nSophia Wischmann<\/p>\n

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\n Untertitel<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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Babelfisch Translations<\/p>\n

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\n Buchhaltung<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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Dana Bauch
\nArlette Heyn<\/p>\n

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\n Marketing<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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Christina Klug
\nJonas Daniels<\/p>\n

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\n Besonderer Dank an<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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Mascha und Antonia Baer
\nBarbara Baer
\nChristophe Berhault
\nAnna Biselli
\nVolker B\u00f6hme-Nessler
\nLeonard Dobusch
\nEspen Eichh\u00f6fer
\nTheo Eshetu
\nLavinia Freitas
\nHerv\u00e9 Gaerthner
\nJan Heise
\nBenjamin Kees
\nPeter Klum
\nEdmund Kuppel
\nKeiichi Matsuda
\nJean Mohr
\nKonstantin von Notz
\nC\u00e9dric Plattner
\nRobert Richardson
\nCornelia Scheel
\nAlexandra Scheele-Baer
\nHella von Sinnen
\nVandana Shiva
\nKaren Stuke
\nMike Wilson<\/p>\n

Akademie der K\u00fcnste, Berlin
\nBig Image Systems Deutschland GmbH
\nBulgarische Orthodoxe Kirche Heiliger Zar Boris der T\u00e4ufer, Berlin
\nC\/O Berlin
\nDeutsches Theater, Berlin
\nDeutsches Hygiene-Museum, Dresden
\nGem\u00e4ldegalerie Berlin
\nHaus der elektronischen K\u00fcnste, Basel
\nLapixa
\nKunstKraftWerk Leipzig
\nKupferstich-Kabinett Dresden
\nnetzpolitik.org
\nSlovene Ethnographic Museum
\nStaatsoper, Berlin
\nZentrum f\u00fcr Kunst und Medien, Karlsruhe
\nZeughaus-Kino, Berlin<\/p>\n

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\n Archive<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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Archiv Kunst Geschichte, akg-images
\nClipDealer
\nGetty Images
\nHarun-Farocki-Institut
\nimago
\niStock
\nshutterstock
\nUmbruch-Bildarchiv, Berlin<\/p>\n

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\n Vielen Dank an<\/span>\n <\/h2>\n <\/div>\n <\/div>\n\n
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Katharina Aurich
\nSusanne Baer
\nUlrich Baer
\nMichael Bath
\nJacob Beeken
\nMarietta Beielstein
\nSibylle Boeckh
\nPeter Boesch
\nAndrea B\u00f6hm
\nJean Bou\u00e9
\nSofia Borodulina
\nFred Breinersdorfer
\nStephanie Buck
\nLeonardo Cendamo
\nJohn Christie
\nHape Conrad
\nKaroline Czech
\nLuisa Dahringer
\nAnke Domscheit-Berg
\nDaniel Domscheit-Berg
\nJane Fayle
\nEnrique Freaza Viera
\nG\u00fcnther Friesinger
\nJ\u00f6rg Frie\u00df
\nBettina Haasen
\nMichael Haberkorn
\nAmalie Haensch
\nLinda Henkel
\nJeanette Hofmann
\nBeate Kennedy
\nTristan Kennedy
\nStefanie Kinsky
\nMichael Kipp
\nAustin Kleon
\nDennis Kogel
\nTina Leeb
\nGrit Lemke
\nSerge Licht
\nDajana Lothert
\nMaren L\u00fcbbke-Tidow
\nAlexander L\u00fcck
\nManu Luksch
\nRoxanne Makasdjian
\nBernd Neuenburg
\nWilfred Orth
\nJan Peters
\nJennifer Posny
\nElla Raidel
\nJulia Reda
\nShelley Rice
\nEva Rink
\nNicole Rundo
\nFrank Salender
\nAnnette Scheele
\nJason Schmidt
\nGaby Schweer
\nDavid Scribane
\nKaja Silverman
\nMatthias Spielkamp
\nUta Stiegler
\nVolker Striemer
\nArianna Vetrugno
\nKlaus Vogel
\nJendrik Walendy
\nFabian Welther
\nMike Wilson
\nRebecca Wilton
\nHans J\u00fcrgen Wulff
\nMarian Zabel
\nMartin Zips
\nLukas Zitzer
\nJenni Zylka<\/p>\n

<\/span>\n <\/div>\n\n<\/div>[\/vc_column][\/vc_row][vc_row header_style=“edgtf-dark-header“][vc_column][vc_column_text]Eine sounding images Produktion
\n\u00a9 2018 sounding images<\/p>\n

Gef\u00f6rdert durch:
\nFFA Filmf\u00f6rderungsanstalt, BKM, MEDIA Programme of the European Union[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column]

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\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\"\"\n\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t
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\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\"\"\n\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=“1\/4″][vc_empty_space height=“50px“][\/vc_column][vc_column width=“1\/4″][vc_empty_space height=“50px“][\/vc_column][vc_column width=“1\/4″][vc_empty_space height=“50px“][\/vc_column][vc_column width=“1\/4″][vc_empty_space height=“50px“][\/vc_column][\/vc_row][vc_row][vc_column width=“1\/4″][\/vc_column][vc_column width=“1\/4″][\/vc_column][vc_column width=“1\/4″][\/vc_column][vc_column width=“1\/4″][\/vc_column][\/vc_row][vc_row header_style=“edgtf-dark-header“][vc_column][vc_column_text]Eine sounding images Produktion \u00a9 2018 sounding images Gef\u00f6rdert durch: FFA Filmf\u00f6rderungsanstalt, BKM, MEDIA Programme of the European Union[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4725","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.the-illegal-film.com\/de\/wp-json\/wp\/v2\/pages\/4725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.the-illegal-film.com\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.the-illegal-film.com\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-illegal-film.com\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-illegal-film.com\/de\/wp-json\/wp\/v2\/comments?post=4725"}],"version-history":[{"count":0,"href":"https:\/\/www.the-illegal-film.com\/de\/wp-json\/wp\/v2\/pages\/4725\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.the-illegal-film.com\/de\/wp-json\/wp\/v2\/media?parent=4725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}